Resultados : MONTE Página 157
Quatorze lettres intdites du comp. Philippe de Monte (1921), Tielman Susato (1923), Notice sur le chevalier X. van Elewyck (1925),
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the operetta, Canards Mandarins (Monte Carlo, 1931)j Le Voyage d* Tchong-Li, Chinese legend in 3 scenes (1932), many songs in
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1905), Ntte Mi* coulin (Monte Carlo, Feb. 2, 1907), La Faut* d* l'Abbt Mount (Mnrch 1, 1907), L*s Quatr* Jpurnfajt
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(1924), Bertran de Born (Monte Carlo, 1925), and Messie d3
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Les Demoiselles de Saint-Cyr (Monte Carlo,
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ballet-opera Au temps jadis (Monte Carlo, 1905).
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the operas La dogaressa (Monte Carlo, Feb. 26, 1920) and La Principessa prigioniera (Bergamo, 1940) , ballets L'agonia della rosa
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July 20, 1893), Moina (Monte Carlo, March 14, 1897), Messalina (Monte Carlo, March 21, 1899, his most successful work), Sanga
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Sveloppement (1911), numerous papers on Philippe de Monte ?
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(Nice, 1913), La Passion (Monte Carlo, April 2, 1916), La Captivit S de Babylone (biblical drama), La Barrive (Venders.
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Nov. 4, 1901), Pentlope (Monte Carlo, March 4, 1913), Masques et bergomasques, stage music (Monte Carlo, April
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her most successful opera (Monte Carlo, Feb. 16, 1909, several subsequent revivals).
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sketch, Chirurgie, after Chekhov (Monte Carlo, March 20,
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1920), La Femme nue (Monte Carlo, March 23, 1929) , the operettas Agn Ss, dame galante (1912), Carmosine (1913), lie
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La Prirvcesse au Jardin (Monte Carlo, 1920), Psyche, and Cceur de rubis (Nice, 1922), an operabouffe, Le Marquis de Carabas
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after Maxim Gorky's fable (Monte Carlo, Feb. 13, 1909), had a modicum of success.
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16, 1902) , Nausicaa (Monte Carlo, April 10, 1919) , FSte triomphale Paris Op6ra, July 14, 1919) , La Colombe
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an opera, Le Tasse (Monte Carlo, 1903), 3
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1927), Judith, biblical opera (Monte Carlo, Feb. 13, 1926), Amphion, melodrama (Paris, June 23, 1931), Les Aventures du Roi Pausole,
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de diamant ou VInfante (Monte Carlo, April 7, 1949), for orch.:
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in collaboration with Honegger (Monte Carlo, March 11, 1937), Les Petites Cardinal, with Honegger (Paris, 1938) , Barbebleue, radio opera
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1814 (Monte Carlo, April 6, 1918), Nausithoe (posthumous, Nice, April 9, 1920), La plus forte (posthumous, Paris,
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in 1603 became successor to Philippe de Monte as court composer, while continuing to hold his post as court organist.
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from Valenciennes. He studied with Philippe de Monte , then went to Rome (about 1570), where he became a member of
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opera of that name (Monte Carlo, Feb. 19, 1910). He sang with the Boston Opera Co. (1912), later he became
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17, 1901) , Arnica (Monte Carlo, March 16, 1905) , Isabeau (Buenos Aires, June 2, 1911), Parisina (Milan, Dec. 15,
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Le Jongleur de Notre-Dame (Monte Carlo, Feb. 18, 1902), Cherubin (Monte Carlo, Feb. 14, 1905) , Ariane (Paris, Oct. 31,
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(Monte Carlo, 1922), Le Rossignol en amour, chamber opera (1924) , for orch.: Le Paravent de
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Monte , Philippe de (Filippo di Monte , or Philippe de MODS), great Belgian contrapuntist, b. Malines, 1521,
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Monte, Philippe de (Filippo di Monte , or Philippe de MODS), great Belgian contrapuntist, b. Malines, 1521, d. Prague,
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1935). Cf. G. van Doorslacr, Philippe de Monte (Malines,
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17, 1910), L'preuve derniere (Monte Carlo, March
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1954), ballets: La Chatte (Monte Carlo, April 30, 1927), Paul et Virginie (Paris, April 15, 1943), Les Mirages (Paris, Dec.
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ad modulum Benedicta es, by Philippe de Monte (1920), Attaingnant's 13 Livres de motets (3 vols.), etc. His writings inelude
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Svhwinden der Gesangskunst (1903) and Stella del Monte (1903, a free narrative of Berlioz's last years, i.e., the period after
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cdlo and chamber orch. (Monte Carlo, Dec, 8, 1926), Pour un entrainemtnt d box* (1922, originally a bal H sketch)
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The Fair at Sorochintzy (Monte Carlo, March 17, 1923, Metropolitan Opera, N. Y., Nov. 29, 1930). His own works include
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of the collected works of Philippe de Monte (1927 f T.). A compendium, Hornmage a Charles Van den Barren (Antwerp,
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Vie et les ceuvres de Philippe de Monte (Brussels, 1921) , and Rinaldo del Mel (Antwerp, 1922). Also edited 8
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