Resultados : MONTE Página 79
Works: Ballets: Les Fdcheux (Monte Carlo, Jan. 19,
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Quatorze lettres inedites du comp. Philippe de Monte (1921), Tielman Susato (1923), Notice sur le chevalier X. van Elewyck (1925),
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the operetta, Canards Mandarins (Monte Carlo, 1931), Le Voyage de Tchong-Li, Chinese legend in 3 scenes (1932), many songs in
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3, 1905), Nais Micoulin (Monte Carlo, Feb. 2, 1907) , La Faute de l'Abbe Mouret (March 1, 1907) , Les
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(1924), Bertran de Born (Monte Carlo, 1925), and Messie d'Amour (Monte Carlo, 1928) , incidental music to Le Moissonneur (Tulle,
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Les Demoiselles de Saint-Cyr (Monte Carlo,
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ballet-opera Au temps jadis (Monte Carlo, 1905).
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the operas La dogaressa (Monte Carlo, Feb. 26, 1920) and La Principessa prigioniera (Bergamo, 1940) , ballets L'agonia delta rosa
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July 20, 1893), Moina (Monte Carlo, March 14, 1897), Messalina (Monte Carlo, March 21, 1899, his most successful work) ,
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developpement (1911), numerous papers on Philippe de Monte , whose works he edited. For a com-plete list of publications see Albert
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(Nice, 1913), La Passion (Monte Carlo, April 2, 1916), La Captivite" de Babylone (biblical drama), La Barriere (Verviers,
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et bergamasques, stage music (Monte Carlo, April
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her most successful opera (Monte Carlo, Feb. 16, 1909, several subsequent revivals).
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sketch, Chirurgie, after Chekhov (Monte Carlo, March 20,
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1920), La Femme nue (Monte Carlo, March 23, 1929), the operettas Agnes, dame galante (1912), Carmosine (1913), lie desenchantee (Paris,
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La Princesse au Jardin (Monte Carlo, 1920), Psyche, and Cceur de rubis (Nice, 1922), an operabouffe, Le Marquis de Carabas
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after Maxim Gorky's fable (Monte Carlo, Feb. 13, 1909), had a modicum of success.
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Dec. 16, 1902), Nausicaa (Monte Carlo, April 10, 1919), Fete triomphale Paris Opera, July 14, 1919) , La Colombe de
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an opera, Le Tasse (Monte Carlo, 1903), 3
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1927), Judith, biblical opera (Monte Carlo, Feb. 13, 1926) , Amphion, melodrama (Paris, June 23, 1931), Les Aventures du Roi
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de diamant ou l'Infante (Monte Carlo, April 7, 1949), for orch.:
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in collaboration with Honegger (Monte Carlo, March 11, 1937), Les Petites Cardinal, with Honegger (Paris, 1938) , Barbebleue, radio opera
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1814 (Monte Carlo, April 6, 1918), Nausithoe (posthumous, Nice, April 9, 1920), La plus forte (posthumous, Paris,
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in 1603 became successor to Philippe de Monte as court composer, while continuing to hold his post as court organist.
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from Valenciennes. He studied with Philippe de Monte , then went to Rome (about 1570), where he became a member of
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opera of that name (Monte Carlo, Feb. 19, 1910). He sang with the Boston Opera Co. (1912), later he became
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17, 1901) , Arnica (Monte Carlo, March 16, 1905) , Isabeau (Buenos Aires, June 2, 1911), Parisina (Milan, Dec. 15,
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Le Jongleur de Notre-Dame (Monte Carlo, Feb. 18, 1902), Chirubin (Monte Carlo, Feb. 14, 1905), Ariane (Paris, Oct. 31, 1906),
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'symphonie choregraphique et lyrique' (Monte Carlo, 1922), Le Rossignol en amour, chamber opera (1924) , for orch. : Le Paravent
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Monte , Philippe de (Filippo di Monte , or Philippe de Mons), great Belgian contrapuntist, b. Malines, 1521,
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Monte, Philippe de (Filippo di Monte , or Philippe de Mons), great Belgian contrapuntist, b. Malines, 1521, d. Prague,
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- Cf. G. van Doorslaer, Philippe de Monte (Malines,
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17, 1910), L'&preuve derniere (Monte Carlo, March
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1954), ballets: La Chatte (Monte Carlo, April 30, 1927), Paul et Virginie (Paris, April 15, 1943), Les Mirages (Paris, Dec.
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ad modulum Benedicta es, by Philippe de Monte (1920), Attaingnant's 13 Livres de motets (3 vols.), etc. His writings inelude
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Schwinden der Gesangskunst (1903) and Stella del Monte (1903, a free narrative of Berlioz's last years, i.e., the period after
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14, 1945), Chota Roustaveli (Monte Carlo, May 5, 1946), La Colline des fantbmes (1946), Jardin persan (1946), Nuit kurde (Paris,
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The Fair at Sorochintzy (Monte Carlo, March 17, 1923, Metropolitan Opera, N. Y., Nov. 29, 1930). His own works include
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of the collected works of Philippe de Monte (1927 ff.). -A compendium, Hommage d Charles Van den Borren (Antwerp,
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Vie et les ceuvres de Philippe de Monte (Brussels, 1921) , and Rinaldo del Mel (Antwerp, 1922). Also edited 8
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